Variations of a SIGNATURE with brush and oil, and with liquid ink on paper
1. GENERAL ASSUMPTIONS:
There are certain individual traits of a person's signature which can be visible and invisible, and their study is crucial for allocating a signature to its owner. Without a doubt, both the writing implement and the document material influence the outcome of the signature.
2. OBJECTIVE
To differentiate, determine and, where appropriate, classify the "Variations in the traits of a signature with brush and oil on canvas-board, and with liquid ink on paper" that the Venzal laboratory has been conducting since last August.
3. OPERATING PROCEDURE:
Within the research protocol, there are two distinct parts: the first is conducted with 3 contemporary artists, and the second is performed on works from 3 renowned artists, namely:
Francisco de Goya (1746-1828)
Joseph Mallord William Turner (1775-1851)
Pierre Auguste Renoir (1841-1919)
INFORMATION AND APPLICATION FORM:
laboratorio@venzal.es